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BARCELONA CHAIR
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SIDE VIEW
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BACK VIEW
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PRODUCT DETAILS

CLOSEUP VIEW

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DESCRIPTION

 

Frame:

CHROME LIKE POLISHED STAINLESS STEEL

 

Frame Upholstery:
STRONG HARD LEATHER STRAPS

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Cushion:

POLYFOAM MATTRESS COVERED WITH DACRON FIBRE

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Cover:

HIGH QUALITY LEATHER SQUARES WITH DOUBLE STITCHED LINING

MEASUREMENTS

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PRODUCT SIZE

PRODUCT BOX SIZE

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MATERIAL

Aniline leather is a type of leather in which high quality hides have been treated with aniline as a dye. This produces a delicate, soft, supple leather. Typically, leather is colored both for aesthetic reasons and to conceal blemishes. However, aniline leather is not colored. It is a transparent chemical. This allows the leather to breathe better, making the leather more comfortable in both hot and cold weather.

AVAILABLE COLOR OPTIONS

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ORDER FREE CATALOG

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COLOR VARIATION

BLACK LEATHER

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WHITE LEATHER

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BROWN LEATHER

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RED LEATHER

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CREME LEATHER

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COGNAC LEATHER

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SHOP

THE DESIGNER OF THE ORIGINAL

Ludwig Mies Van der Rohe

Ludwig Mies Van der Rohe was born in Aachen, Germany in 1886. He worked in the family stone-carving business before he joined the office of Bruno Paul in Berlin. He entered the studio of Peter Behrens in 1908 and remained until 1912. Under Behrens’ influence, Mies developed a design approach based on advanced structural techniques and Prussian Classicism. He also developed a sympathy for the aesthetic credos of both Russian Constructivism and the Dutch De Stijl group. He borrowed from the post and lintel construction of Karl Friedrich Schinkel for his designs in steel and glass. Mies worked with the magazine G which started in July 1923. He made major contributions to the architectural philosophies of the late 1920s and 1930s as artistic director of the Werkbund-sponsored Weissenhof project and as Director of the Bauhaus. Famous for his dictum ‘Less is More’, Mies attempted to create contemplative, neutral spaces through an architecture based on material honesty and structural integrity. Over the last twenty years of his life, Mies achieved his vision of a monumental ‘skin and bone’ architecture. His later works provide a fitting denouement to a life dedicated to the idea of a universal, simplified architecture Mies died in Chicago, Illinois in 1969.

INSPIRED BY SAME  DESIGNER

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