top of page
KNOLL DESIGN SOFA LARGE
4536_1.jpg
FRONT VIEW
3360front.jpg
SIDE VIEW
3360back.jpg

PRODUCT DETAILS

CLOSEUP VIEW

3360details.jpg

DESCRIPTION

 

Frame:

SOLID WOOD WITH A SPECIAL CONNECTION

 

Padding:
HIGH DENSITY SPECIALTY FOAM

​​

Base:

HIGH-GLOSS STAINLESS STEEL CONSTRUCTION

​

Reference:

SPECIAL ANILINE LEATHER

​

Seat Cushion:

SQUARE LEATHER PIECES SEWN ELABORATER

MEASUREMENTS

knoll-sofa-large-black.jpg

PRODUCT SIZE

PRODUCT BOX SIZE

KNOLL-SOFA-LARGE-box.jpeg

MATERIAL

Aniline leather is a type of leather in which high quality hides have been treated with aniline as a dye. This produces a delicate, soft, supple leather. Typically, leather is colored both for aesthetic reasons and to conceal blemishes. However, aniline leather is not colored. It is a transparent chemical. This allows the leather to breathe better, making the leather more comfortable in both hot and cold weather.

AVAILABLE COLOR OPTIONS

1822.jpeg

ORDER FREE CATALOG

1517.jpeg

COLOR VARIATION

BLACK LEATHER

3340-black.jpg

WHITE LEATHER

3340-white .jpg

BROWN LEATHER

3340-brown.jpg

RED LEATHER

3340-red.jpg

CREME LEATHER

3340-beige.jpg

COGNAC LEATHER

3340-cognac.jpg

SHOP

THE DESIGNER OF THE ORIGINAL

Florence Knoll

While a student at the Kingswood School on the campus of the Cranbrook Academy of Art in Bloomfield Hills, Michigan, Florence Knoll Bassett (née Schust) became a protegée of Eero Saarinen. She studied architecture at Cranbrook, the Architectural Association in London and the Armour Institute (Illinois Institute of Technology in Chicago). She worked briefly for Walter Gropius, Marcel Breuer and Wallace K. Harrison. In 1946, she became a full business and design partner and married Hans Knoll, after which they formed Knoll Associates. Florence Knoll herself designed chairs, sofas, tables and casegoods during the 1950s, many of which remain in the Knoll line to this day. She was at once a champion of world-class architects and designers and an exceptional architect in her own right. As a pioneer of the Knoll Planning Unit, she revolutionized interior space planning. Her belief in “total design” – embracing architecture, manufacturing, interior design, textiles, graphics, advertising and presentation – and her application of design principles in solving space problems were radical departures from the standard practice in the 1950s,

INSPIRED BY SAME  DESIGNER

3340_white.jpg
KNOLL ARMCHAIR
3350-5.jpg
KNOLL SOFA, SMALL
3340-white .jpg
KNOLL SOFA, LARGE
bottom of page